When my mother Ah Thiew talks about Penang, she constantly refers to 58 King Street, her childhood home. This is the story of why her family moved there, and my re-creation of the shophouse as seen through my grandmother’s eyes.
George Town, Penang, 1940s
Ah Thiew was nearly three years old before her family moved down the road on King Street to Number 58. By then, the Second World War had ended, and George Town liberated from its Japanese occupiers and returned to its British colonial government.
Yew Choy couldn’t wait to leave their present home, where she had given birth to Ah Thiew. She had been reluctant to live there ever since their section of King Street had been hit by a bomb during the Japanese occupation. Thankfully, it had missed their home but many others living on their street had been killed, and it had left behind a huge crater where several shophouses used to stand.
A shudder would run through Yew Choy every time she walked past the site on her way to the wet market, and she would keep her face averted as she tried not to think of the many bodies that had been unceremoniously dumped into the gaping hole before it was filled up. Deprived of a proper send-off, these restless souls continued to roam the area, Yew Choy believed. She was convinced she heard them every time the house creaked; she saw them whenever she caught a glimpse of a shadow from the corner of her eye.
Number 58 was located close to a busy intersection between King Street and China Street, among a row of Straits Settlement shophouses linked in front by a covered kaki-lima or five-foot way that offered shelter from the tropical heat and rain. A structure unique to colonial Southeast Asian towns, the shophouse was built to be used as a home as well as business premises. It was perfect for them; Ah Thiew’s father Thoong Foo would have his goldsmith’s workshop on the ground floor while the family lived upstairs. Also, Number 58 was just two doors away from the clan association building where Thoong Foo spent a lot of time as a committee member.
Yew Choy stood on the ornately-tiled kaki lima in front of her new home, craning her neck to look up at two gold Chinese characters, shiny on a dark wooden plaque that’s hung above the double timber doors. ‘Foo Heng’ it read; the name of her husband’s workshop. Walking through shophouse’s entrance, she carefully stepped over the mun cham – a raised wooden threshold – that was bolted to the floor to ensure that the family’s good fortune wouldn’t flow out of their home. She stood for a while in the coolness of the dark workshop, enjoying a reprieve from the blazing heat outside. As her eyes adjusted to the room’s dimness she could make out the rows of tables where Thoong Foo and his staff would work, tooling pieces of gold jewellery under bright lamps.
The shophouse was long and narrow, and as Yew Choy walked further on she came to the air well, an open-air courtyard placed in the centre of the building to provide light and ventilation. She looked around her, already envisioning the tables she would set up in the bright and airy space for the workshop’s staff to have their lunch. A short flight of stairs on her left would take her upstairs to the rooms that would be her family’s living quarters, and if she walked further towards the back of the shophouse, she would find the spacious kitchen with its firewood stove.
Yew Choy glanced up at the wooden shutters that overlook the courtyard, squinting against the sunshine as she imagined laundry hanging out of the windows, the sound of her children’s feet on the wooden floorboards above.
This would do just fine for the family, she thought, especially now that it had grown to include Ah Moy, a younger sister for Ah Thiew and her two brothers.
Photo caption: Tiled five-foot way linking a row of restored shophouses in George Town. Photo by Yin F Lim